Tuesday, December 14, 2021

Poems for our season by Helette and Adrien

Helette Gagnon


 

HALLOWED GROUND


Jesus lies on my front lawn                   

Middle Eastern roots

exposed, shrivelled,

bone frosted…look…

 

Crown of thorns askew,

sandy hair dishevelled,

hemp sandals lost,

loin cloth in tatters.

His hands and feet

wine coloured gashes.

 

What will the neighbours say?

Test, curse, warning, blessing?

 or, Magic realism?

I feel the Lions lurking.

 

I could extend a vinegary sponge,

an olive branch,

find ways to repent or

play it festive with strings

of multi-coloured lights.

 

Maybe, I should wrap Him in

burlap, let the earth receive

let the season bury as it pleases.

 

Instead, veiled behind curtains,

I stand alert watching for a Resurrection.

 

All I need is a nod or a wink

to take this Bearded Wonder in.

                                                                by Helette Gagnon




**********

and from Adrien Helm,


Adrien Helm

 

 Christmas Memory

              by Adrien Helm

 

A touch of Italian Renaissance

The plaster figures appeared

From Christmas-drunken

Impulse of my Manhattan

Working father – store window

Display transfixing his

Passing glance and capturing

Some part of his wallet!

My mother’s eyes lit up –-

Her imagination surged—

Where to put?  How to style?

A wooden berry basket

Became the stable,

Hay was found,

Boughs arranged,

The sideboard

Magically swept Eastward

From commonplace buffet

To holiday display.

Shepherds crowded

Stunned and musical,

People hurried by, or

Turned their backs—

Animals knelt beside

The penitent innkeeper,

Come to worship the fuss.

The empty manger only

Peopled on Christmas Eve –

Magi lurked in the wings

Awaiting Epiphany’s cue.

 

One Christmas Day we left

A candle lit as we fled

To church, four spirit-drenched

Children in tow.

Returned to find

The crèche a little singed

From careless fire

Less than holy. Mary’s

Flowing blue and serene mien

As tarnished as Cinderella’s;

Joseph very much worse for wear

Than casual fatherhood imposed.

The Babe survived and I,

Ever on the look out for

“Back ups,” scour tag sales

To people this family treasure.

It sprawls just now

Within my sight. A fancier

Structure, complete with stalls

Replaced the charred basket.

As I bring the figures

From their tissue nest each year

I look into their eyes and

Let their gaze hold mine,

Focusing again across the years

Of this Christmas memory.

 

                                                                        January 2019



Thursday, December 9, 2021

something old (and older); something new (and newer)

 For babes and candle makers

December 12, 2021

 

Children at deep blue hem
Our Lady of Guadlupe’s, maybe,
maybe today, her day now and then
here and there

there as cherubim at her hem
seeming safe maybe even at play yes
displaying baby sense of happiness
more than awe or reverence

a day to note her appearance,
her beauty, the new world inherent
in her being in the sky,
mother of god, indigenous, and us
grand children of god, then,
to be regarded as such,
hidalgos of eternity
if any be or ever were

worthy of candles
lit for her sake, today,
and for all candle makers
here and there, anywhere

[and for the dead in Mayfield, Kentucky]

 

            Sylvia Manning, Dec. 12, 2021, Glover VT


December 12, 2011

(as noted for Our Lady of Guadalupe)

 

black cat crosses

backyard winter rye

            (crayon kelly green

covering after long

awaited latest autumn

            rain

the obscenely sad losses

of other grasses

            beneath pecan trees

            alive but just

            and this year

            giving us

            no fruit)

                                         Sylvia Manning

                                    published in Waterways, Dec. 2020
                                                        written 2011 in journal, Seguin TX 


                                                                                                



Bringing in the Buddha

(in response to Huffstickler’s poem, The Way of Art)                                    

         
Dear poet my friend
it’s not cold enough yet
to bring the buddha in
from slab of granite
beside little river some will call a brook.

Last year a man (yes, a friend)
without an understanding
for our need in our spiritual poverty
            for ceremony,
            its poetry

lugged the buddha in like a piece of rubbish
without so much as a fare-thee-well.
Winter (an easy one, some will say)
           was hell.

This autumn has been kind.
There is still no cure
for hot and cold
as Pema Chödron knows

 

but a day may be left
when we are not bereft of Light and Love
from, in reality and poetry,    
          the heavens.

 

If we can bring this broken buddha in
even when the doing requires due care
for the cracked and patched
            piece of resin it is

will we call it dear, dear poet friend?
May we call it art? When we bring the buddha in

be s/he Jesus or a medium just sitting
            to take a stand

for beings in the millions to some true magnitude
some many (if not most of them) Magdalene-hued.


 

                                     Sylvia Manning, 10-27-21, Glover VT,                                                                                                                             published with changes suggested by

                                             Richard Spiegel in November, 2021 issue of
                                            Waterways: Poetry in the Mainstream (NYC)







Thursday, December 2, 2021

The Wildcard, poem by Scott Norman Rosenthal

 

                           The Wildcard

 

When I pulled it from my sleeve, it was a small deer,

  a “hart."                                                                                                                                    

With a wild song and a lasso

 I chased it;

It turned into a cricket

 and regarded me

like a lover, suddenly gone cold.

 

 When I picked it up,

it was a Queen of Hearts,

 too late to finish the hand.

 

                (Scott Norman Rosenthal;, 1977)     


                                                                                                                   

Wednesday, November 3, 2021

Mark Creaven, a sample of his work

 



Mark, in Barton Library



A Cure

 

what we once called love

flames with soul searing heat

that fades in frosty silence to an icy shoulder

the dichotomy of fire and ice

drives us to seek our special one

but should we hang on, dangling by our heartstrings

when the solid middle is what brings us peace

and we throw another log on the fire

on a cold winter’s night





Mark is sitting on the left in a different kind of session for work he does.  This photo is from VT Digger, in an article about Covid in Orleans County.  Mark has worked continually with testing and vaccination sites throughout the pandemic.


Mark's poem, A Cure, was written in our last in-person meeting, October 27, 2021, in the Barton Public Library, where we meet alternatively with a virtual meeting every other week.  The prompt was from The Pocket Pema Chodron, reading number 61, There is no cure for hot and cold.  We had about 10 minutes to write.   




Tuesday, October 12, 2021

Leavings from summer


Time for some poems that have been waiting to be posted.  Ellen Mass had to be convinced that this poem, The Good Life, was hers.   Ellen's returned to Cambridge now that summer's gone. 


Ellen Mass

 

The Good Life

Grant each other peace                                    
Weave our lives together                                           
Notice another's dilemma
Produce for the Commons
Appreciate loved ones
Love beauty
Make beauty
Create art for beauty
Block wrong/bad energy/hatred
Invent new ways to give and cope
Understand human beings, creatures
Learn right way every day
Recognize history
Accept to work with good/bad reality
Choose good mental and physical habits
Lie in the sun
Watch the moon and stars
Be part of it
Spider webs have answers for you
Wolf families do too
Accept every life's pain and sadness
Marvel at butterflies
Watch nature closely every day
Fight injustice
Care for your body
Volunteer for good causes
Say no as easily as yes
Eat well for everyone.

                                                                         ***


And here's a poem Adrien wrote in meeting/workshop, September 22 -- last day of summer or first day of fall?


Poetry Workshop 9/22/21                                      

Adrien Helm

 

We were like cherries in a blue bowl

Shouldering each others’ curves,

Turning upward to claim our moment’s

Undivided attention. Red as we read,

Modulating breath, curling tongue

Against teeth’s back.

Exhaling the poem into air electric

With anticipation and appreciation,

Vowels round wound around us

Cherries, in a blue bowl.

 

                                    AWH/9/22/21

                                                                          ***




                 

Eileen Kennedy
Eileen Kennedy joined us again this summer
after some years away. 



Will the Circle Be Unbroken

                      by Eileen Kennedy

                     I.

I’ve forgotten how to write poetry,

 

but today in a large open field

 

walking slowly around the path

 

cut into wildflowers

 

I realize it is poetry that is

 

the last tether to what is real

 

All that I see in nature now

 

begins to feel like

 

a last postcard

 

 

Then, as I circle round

 

I see 2 Monarch butterflies!

 

Like a child, I watch them

 

a long, long time

 

I know I may not see 2 more

 

next fall

 

             II

 

I see the damp blonde curls

 

falling from my forehead

 

I was a girl once

 

The Milky Way was there every night

 

The milkman came in the morning

 

Things circled back then

 

                  Newport, Vermont

                   September 5, 2021

             

                    

 


Thursday, September 30, 2021

A Bit of History from Toni Eubanks, Barton Library Director

Dear Poets, 

Toni Eubanks at left, first in-person meeting
of summer 2021, in what became a
Giving Garden behind Barton Public Library
In the summer of 2013, the Barton Public Library received the grant from the Vermont Humanities Council to read, discuss and have workshops based around the Vermont Reads book Poetry 180 edited by Billy Collins. 

We asked Sylvia Manning and Adrien Helm if they would volunteer to facilitate the discussion and to start a poetry workshop for the grant. The group met at 6:30 PM downstairs in the library meeting room once a week all summer long. As I was working upstairs, I could hear such laughter and enthusiasm for each poet’s work as they were being read aloud. One night a summer thunderstorm came rolling through and we lost our electricity for about 30 seconds. The laughter that came from downstairs as these creative poets quickly ad-libbed about their shock at being in the dark, still makes me laugh at the fun and enthusiasm in the group dynamics.

At the end of that summer, the group decided they wanted to stay together and keep their workshop going beyond the grant parameters. This is when the Wednesday Poets had their start. Sylvia started a blog for the poets to display their work and feature different poets each week.

Every summer, Adrien and Sylvia would return to Vermont and volunteer their time to facilitate the Wednesday Poets. We moved the group upstairs for more accessibility and the group continued to meet at 6:30 PM while the library was closed. The group went to different events together, - a reading at St. Johnsbury Academy, reading from our own poets at other academic facilities, and a special event in which each of our poets shared their writing at the Green Mountain Monastery. Sylvia and I took a trip to the Vermont Humanities Council in Montpelier and told them about our group at the library. The president of the council was so happy to hear that a group formed and had stayed together beyond the grant. This is what the grant was made for – to build community.  Adrien and Sylvia had certainly done that through our library.

Three years ago, the group wanted to keep writing together even through the winter. We decided because of our harsh winters here in the Northeast Kingdom to move the time slot just for the winter months. We wanted the group to be able to travel when the snow plows were still out and decided 3:00 – 5:00 PM would be the safest time. We also had the group meet upstairs even though we were open for patrons during this time slot. The population of our area is much less during the winter, and therefore the library was able to accommodate our poets upstairs while being open. We are not considered a “quiet” library as being so rural, our library is considered a place to come in, see others and chat in a safe and welcoming environment. We have coffee and snacks that are donated from the community members to help keep that warm and friendly atmosphere. We are very thankful to Judith and Joanne for guiding the winter group.

In March of 2020, the State of Vermont set emergency orders and all libraries in Vermont had to shut down for the pandemic. The state allowed us to open for curbside services only in May, and then allowed for libraries to open for in person with limits in June of last year. We were so thankful to Joanne Giannino for starting the Zoom for the Wednesday Poets which allowed for the continuation of the workshops. It is my understanding that because of the Zoom option, more people were able to join the group because distance no longer was an issue and our group has grown and warmly welcomed poets from other states and even across the border.

Adrien approached the library recently to let us know that some members of the group would like to meet in person again. As helpful as Zoom has been, it is not the same as being together in the same room. A lot of people who used to attend do not use the Zoom access. The library’s board of trustees met on Monday night to allow for this program to meet in person again in the library. We are slowly opening up by expanding our hours, and the poetry group will be the first indoor program to meet at the library since the pandemic started. Now we are inviting the group back in person to the summer schedule which will be Wednesdays at 6:00 – 8:00 PM. People can Zoom into that meeting if they would like. Since the library closes at 6:00 PM on Wednesdays, this is the perfect time for the summer group to meet as it always has in the past. In the summer, we have many children and families visiting the library during our open hours. The population in our area grows during the summer and so does the population visiting the library. Evening hours allow for people that may be working to attend also. We realize that summer in VT is a busy time. We find that people are enjoying the outdoor activities this area has to offer, working in their gardens, or visiting our many lakes during the day. We hope this new schedule will work for you for the summer.

We especially want to thank Adrien, Sylvia, Joanne and Judith for keeping the program going all of these years. I look forward to seeing many of you in the library again. 

Toni Eubanks
Barton Public Library, Director


The Barton Public Library in Barton, Vermont

                                


Sunday, August 1, 2021

Stephen Hickey's poem for a teacher, Regret: for Val


 

Stephen Hickey

REGRET:  for Val

In the decades since, I think I was a part
of not recognizing a man's decency
which I did not honor or even see.

We were lost souls then, the over-challenged,
the remnants, the frightened, the bullied.
Val offered us the help we could have used, needed.
I guess I was the most frightened of all.
I dropped out early, telling myself I had to 
build myself to prepare, and I never did follow up.
It was surely cowardice and avoidance.
The real need was to defend my being,
not let myself be suppressed.
Val offered us the help we could have used.


The suppression of the self
by the willingly apparently dominant
which left no room for we ourselves….

I heard from Val himself, later, that
the promising one among us
had been forced by his father to withdraw.
His father did not want his son
to learn from a Black man
the self-defense he could not teach him himself.
I feel now the shame, not just the many humiliations
that I have suffered since.
But most of all I feel my inability to support
the man who offered us hope.
And I did not have the decency
to offer him the support he needed.
The group fell apart after that, as we mostly deserved,
and Val’s gift was rejected by us.
I saw his feelings were profoundly hurt.
He knew how to defend himself
from any blows thrown at him in the ring,
but not from the ingratitude
of eight ungrateful cowering souls.
Many things keep me up at night,
some from the despicable horrors
that courage could have allayed, 
but nothing more than the ingratitude
that I showed then.


Saturday, June 19, 2021

Two poems that Kathryn Kyker wrote in May

 


Kathryn Kiker the biker
in orange hat

 

Relics                                                                                                      

In the orange hat you hate I sit

on the beach of broken trees bordered

 

by rubble of a road that drove

too close to the sea. Today’s victims

 

of water’s whimsy are jellyfish baked

on dry sand. Death: past, present, and

 

future, as the eyes of so many birds track

my every move. You ask if I am afraid

 

as you leave me here alone. “Something in

the human psyche loves a ruin.” In the

 

final poses struck by twisted limbs reaching,

gasping for soil not sand, water not salt, and

 

in the crumble of man made stones in the

surf, I find strange comfort, and I am not

 

afraid: “The only thing to come now is the sea.”

 

(last line from Sylvia Plath’s Blackberrying)

kk, 5/21


***** 



Ancestral Flavors                                                                  by kk 5/21

 

Sing a song of land scent

A pocket full of plant

A people’s crop lament

What fragrance to decant?

 

Alabama cotton

vast fields of southern snow

brutal crop made rotten

landscape drenched in woe.

 

Sing a song of land scent

A pocket full of plant

A people’s crop lament

What fragrance to decant?

 

Nightshade of Tennessee

acres of emerald green

sacred to the Cherokee

pinched for nicotine.

 

Sing a song of land scent

A pocket full of plant

A people’s crop lament

What fragrance to decant?

 

Vinegar for old Bert

Thelma’s fresh sprig of mint

A dash and drip can’t hurt

Restore a youthful glint.

 

Sing a song of land scent

A pocket full of plant

A people’s crop lament

What fragrance to decant?

 

My ancestors perfume

essence of bitter flaws

digging down I exhume

binding history with gauze.

 

Sing a song of land scent

A pocket full of plant

A people’s crop lament

What fragrance to decant?

Tuesday, April 20, 2021

Remembering Carol for Earth Day

Carol  Waller Youmans
1940-2019
Take down the
Sleek
Shrieking
Emblems of greed and corruption
Degrading the ridges’ calm
By humans so far removed from nature’s touch,
Perspective, alignment, understanding,
They destroy rather than revere.
They think when God gave them dominion
(as the scriptures say)
She meant exploiters not stewards,
Reverence, honor, humility, not slaughter.
But they will not destroy the earth.
Earth will win when our teeming terms shut down.
When the last of the swarming, brawling, quarrelling race
Asphyxiates or starves or drowns,
The earth will go on serene and free of mange.

Carol Youmans
Barton, August 2017


Carol's sister Adrien writes, "Carol was passionate about theater, painting, and life. Generous with her time and affection, she was a friend and mentor to many colleagues and students throughout her life. She had style, an often wicked sense of humor, and sparkle!"


Some other poems for Earth Day by NEK Wednesday Poets follow.


The Earth Cries Out 

We as citizens of the earth must speak up.
The silent scream is no longer silent.
The earth is being mismanaged into oblivion.
This cannot be allowed to continue.
Our sacred earth is crying out in pain.
Pain that is unbearable.
The earth has been defiled and exploited
Plundered and looted.
It has been left to die.
Doing nothing is not acceptable.
Silence is not the answer.
We need to be mad as hell.
Crying out for justice for our fragile earth.
We as citizens of the earth must take action.
The earth cries out and we must respond to the cry.
Everyday is Earth Day, not just one.

                                                                            George Squires 




WILDFLOWER HUNT

Where wildflowers are the woods are waiting. We can see the ridge from our backyard, my sister and I, and the dark greens and the pale, the blues of its distant canopy are waving to us when suddenly our father says, Let’s go for a drive up the mountain. My sister rides shotgun next to our father so I’ve got the backseat all to myself, my six year-old body stretched out full on the warm leather, eyes squinting in the sun, the car weaving its way up the mountain. Telephone wires rise and sink, waltzing outside the open window like they can hear some sweet and secret music. I think I hear it too, and I’m humming to myself when we pull off the main road onto a side spur and the car goes bumping over a narrow cut between tall trees. My father stops and we get out, our usual whooping voices toned down to whispers in this green and quiet place. We follow a well-used deer path into the woods where my sister spots our first wildflower: Trillium, my father says, a word that sounds regal to me, and I squat to look more closely at its three scarlet petals like the hood and high collar of the Red Queen in a picture book I saw once. The next one is a funny word and we giggle when we hear it: Pipsissewa, named by the Indians, my father says. And as soon as he points it out, we see it everywhere, dark green jaggedy leaves peeking out of the black dirt and pine needles, a few with their clusters of pinkish white blossoms. Pipsissewa, pipsisssewa, I chant under my breath, and then I spy something else. Tiny blue bells hanging from their tender stems, and I wonder: who might ring them? Some people call these witches thimbles, my father says but only my pinky finger is small enough to slip inside. Up ahead my sister finds water gushing from the rock face on the high side of our trail. My father pulls some magic rings from his pocket, metal circles that telescope out from one another and rise up to form a cup. He dips it in the rushing water and we each take a long drink, so cold and so sweet. My father keeps us walking long into the afternoon, and my legs are growing tired. He’s looking for something, I can tell, but he doesn’t say what. Finally he motions us over to a small, hidden patch of flowers standing tall on sturdy stems: Lady Slippers, he says, but they look less like Cinderella’s famous shoes and more like fancy ladies dancing, each with outstretched arms and puffy pink dresses. These are a real prize, he tells us, not easy to find. We kneel beside them, our gentle hands reverent with care. Lightly we touch them, as if caressing a slender foot. We know without being told that these, like the others, are not to be picked. We wind our way back up the mountain passing through a clearing of yellow dandelions and tall weeds frosted white with Queen Anne’s lace. Our hands are empty but wildflowers are imprinted now on the bright undersides of our eyelids, and we practice their names on our tongues until my sister breaks into a Girl Scout song, our hushed voices long since lost to the day. We sing all the way back to the car: I love to go a’wandering along the mountain track. After awhile, our father joins in.

 

                                                                                        Lucette Bernard,  April 14, 2021

**********************88**** 


Communion                     by Kathryn Kyker


 When we are young, if we are lucky,  

The old ones lead us to Her in places dappled

Streams sing over rocks worn smooth, through patches of light in

Tunnels of green, seeking: lilies, watercress, minari, slow pulse of place

Endless moments saturated with treasure unearned and essential

A secret sacred story

Reverence our only offering

 

If the moment resonates in you still, the initiation took.

 

She turns languidly

 

as we toggle back and

forth in factory-made

lives of  forgetfulness, one

action begets another in

service to a product—sure 

to mean everything-- that

means nothing.

 

Our memory veiled til we taste her on the air: the sticky sweet

Of hyacinth, the tangy salt of the shore, the petrichor of rain on dirt.

 

 She unfolds

Onto fingers smelling of marigolds, in sun bleached

Pebbles at a far-from-home beach, in the wind tormented

Tree hugging a hillside, and

When we are old, if we are lucky,

we lead the young ones and She

 

Is waiting

A secret sacred story shared

Reverence our only offering

 

If it resonates in you still, the initiation took.

 

by kk, with thanks to Sylvia, Lucette, Tina, and Lee Isaac Chung



                        Easter Eggs                                    

 

On Easter, I issue orders to ingredients as Mom

comes with an escort of red tulips. No longer

 

tight at attention, they flaunt their insides boldly,

at ease. A movie plays, an ancient burial

 

unearthed, as I crack egg after egg, til one reveals 

a dark curl of limbs, intending to be more

 

than a quiche at Easter, but there are no miracles

here. I tuck him deep in the mulch bucket under

 

a garlic skin blanket. Tomorrow he will feed

the groundhog patrolling the field. You  

 

arrive, reporting for duty on the home front, shields

up. I tell no one that a dead baby chicken tried  

 

to join our vegetarian feast, but I can barely eat for

seeing that delicate swirl of life in a home that

 

failed to defend him from his own fragility


                                                                Kathryn Kyker,  4/2021



Winter Light

 

                        Bold walls

                        Bold roofs and windows

                        Unencumbered spaces.

 

                        Just the dried stalks

                        by the roadside;

 

                        The milkweed

                        with its sudden white

                        generosity spilling

                        and being carried

                        mysteriously above

                        the fields.

 

                        The red barn

                        with the white trim

                        is itself a mute

                        fact in the field.

 

             Shadows of bare limbed trees

 etched on the faces of houses.

 

            The dying of the leaves

            gives us a glimpse

            of the bright plastic slide

            in our neighbor’s backyard.

 

            How along with nature’s

            shorn self

            we become slowly

            one people;

            our flattening privacy

            undressed.

 

            Coming over the rise

            a sudden pond

            never seen before;

            a green roofed

            viewing cottage

            on its bank.

 

Without their leaves

the trees are dancers.

 

Only in the most densely

packed forest

cedar boughs

hug close to the ground.

The spaces dark.

 

At higher elevation

grass stalks

are the foreground

for blue mountains

and regattas

of clouds.

 

Maples are muscular

and wild.

The oldest maples

tremendous

and prophetic.

                                                                  Jed Feffer                                                                                                                             November 6, 2019